Nov 2, 2012
Online ticket sales have closed. Tickets available at door.
Boston’s Best World Music Act’s Fall 2012 concert. This is our last performance for 2012, so don’t miss it! Buy tickets at Orchestrotica.com - $15/advance (all seats general admission and tickets are paperless/will-call). Young people 18 and under with a parent are just $5 the day of the concert.
"…just about all the original stars of exotica...are gone -- here, at last, is their successor." --Huffington Post
Referencing the exotica of Martin Denny, Milt Raskin, Tchaikovsky, and Shostakovich among others, Mr. Ho’s, Orchestrotica--as a vibraphone quartet--presents an original third-stream collection of updated jazz, chamber, and world music reaching towards the South Pacific via Asia, the Middle East, the Balkans, and Latin America. Led by, multi-percussionist, vibraphonist and composer Brian O’Neill (Mr. Ho) the group normally features bass flute/woodwinds (Geni Skendo), percussion (Noriko Terada), and acoustic bass (Jason Davis). While the "deliciously demented and entertaining" Orchestrotica (The Wall Street Journal) does perform classics by the original artists of the exotica style, the group focuses on "serious jazz and chamber-music writing" (Boston Herald) written by O’Neill that is highly influenced by his fifteen-year career as a percussionist. The quartet often reinterprets classical melodies, improvising over them and adding exotic sounds from around the world leading AllAboutJazz to say, "...if John Zorn is an exotica Picasso, O’Neill is his Georges-Braque counterpart [and] may be, in the long run, a stronger exoticist than Zorn." In June 2011, they released their debut quartet CD, Third River Rangoon, which the
The CD continues their Exotica for Modern Living series, which opened with The Unforgettable Sounds of Esquivel, their 23-pc big band formation performing the lost space-age pop music of Esquivel. The debut CD reached #4 on theCMJ jazz charts, was a Top Album for 2010 (AllAboutJazz) and received 4 stars from the Sunday London Times.
"...marvelously flexible unit..."--The Boston Globe