Nov 17, 2013

Music Pavilion at Frank Lloyd Wright’s Taliesin West

Scottsdale, AZ 85259

This event is in the past, but were you there? leave a comment or photo on Facebook, or tag @orchestrotica on Twitter, or Instagram.

2013 Album Release Tour

Tickets/Door Time: $20 at the door (Limited tickets remain. Doors open at 7pm.)

Our new recording, Where Here Meets There will be released Nov. 19, 2013 (for sale at and many other online retailers). This tour will feature the album's music and the band's new lineup as a quintet with new member Tev Stevig on oud, tanbur, and surprises!

About the Quintet

Referencing the exotica of composers ranging from Tchaikovsky and Shostakovich to George Gershwin, Martin Denny, and John Adams, Mr. Ho's Orchestrotica—as a vibraphone quintet—performs global jazz and exotic chamber music with world-music flavors sourced from Asia, the Middle East, the Balkans, and Latin America. Led by multi-percussionist, vibraphonist and composer Brian O’Neill, the group also features bass flute/woodwinds (Geni Skendo), percussion (Shane Shanahan), oud/tanbur (Tev Stevig), and acoustic bass (Jason Davis). The quartet focuses on original music written by O'Neill ("a first-rate composer"—Huffington Post) that is highly influenced by his fifteen-year career as a multi-percussionist in symphony orchestras, jazz groups, and world music ensembles leading AllAboutJazz to say, "…if John Zorn is an exotica Picasso, O'Neill is his Georges-Braque counterpart in cubism's transposition to music." The Orchestrotica was named the 2012 "Best World Music Act" in the Boston Phoenix's annual readers' poll.

In June 2011, they released their debut quartet CD, Third River Rangoon, which the Boston Herald called "…serious jazz and chamber-music writing…" and Lucid Culture called "…a lushly nocturnal collection…genius." The album continues their Exotica for Modern Living series, which opened with The Unforgettable Sounds of Esquivel , their 23-pc big band formation performing the lost space-age pop music of Esquivel. That album eventually reached #4 on the CMJ jazz charts and received 4 stars from the Sunday London Times.

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